shaped Iike an arrow.
Freccia means arrow.
-So you toId me.
-It Iooks Iike goId.
-Thats because I giIded it.
-Why?
I wanted to sell you a boat.
Good try, though.
I want that boat.
Sell me that boat, and Ill come
down with a Iaundry bag of cash.
Take the money, take your IittIe girI,
cruise down to a tropic isIe.
-How will you get the cash?
-Dont be coy.
You know who I am. Sell me your boat,
youll
shape of your skull.
- No, thanks !- Maybe Id better havea chat with this boy.
- I have asthma !- Perhaps if I explain things,hell rest easy.
All right, listen.
Theres one thing you should probablyunderstand-- Can you hear me ?
Good.
I want you to haveall the background.
- Aah !- This is a very ominous assignment...
with overtones ofextreme personal danger.
Im a Doctor of Journalism.This is impor
갑상선암
1
갑상선의 구조
▶목의 앞 중앙 의 피부 바로 아래 위치, 식도와 기관의 앞에 위치
▶ 나비모양의 여러 개의 소엽으로 이루어져 있으며,
소엽은 20~40개의 여포로 구성
▶ 갑상선 뒤쪽에 부갑상선 4개가 붙어있음
2
갑상선 암의 정의
갑상선의 혹이 생긴 것으로 갑상선 자극호르몬(TSH)이 과도하
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
ARCTIC BLUE
by Ross LaManna
FADE IN:
1 EXT. BOREAL FOREST - ALASKA - (AERIAL SHOT) - DAY
??
??
Flying. Not at the intangible height of a jet, but at
spitting distance from the treetops. Were in central
Alaska, the Big Lonely, just north of the Arctic Circle.
??
??
A thick forest follows the contours of mountain foothills
like a deep-pile carpet. Up at treeline the forest thins to
tundra, a grassy
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
"Out of Sight"
Screenplay by
Scott Frank
from the novel by
Elmore Leonard
White Final: 08/05/97
Blue Revised: 09/17/97
Pink Revised: 11/11/97
Green Revised: 12/15/97
Goldenrod Revised: 12/16/97
Buff Revised: 03/17/98
Salmon Revised: 03/23/98
BLACK
We hear TRAFFIC, some STREET NOISES, then...
FADE IN: A MIAMI STREET - DAY
The financial district. Lots of people in suits. A shaky,
spasmodic ZOOM IN
SAM ACE ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and gets inside to turn on the ignition.
ACE: (Voice-over) When you love someone, youve gotta trust them. Theres no other way. Youve got to give them the key to everything thats yours. Otherwise, whats the point? And, for a while . . . I believed thats the kind of love I had.
(Suddenly, the car explode
A disheveled young man in a gaily colored Hawaiian shirt is launched into frame by someone offscreen.
He holds a printed paddle that reads "NO. 1468-6 NOV. 29 79."
The hatch marks on the wall behind him are apparently height markers.
VOICE OVER
... The first time I met Ed was in the county lock-up in Tempe, Arizona...
FLASH
As his picture is taken.
CLOSEUP
On the paddle: "NOV. 29 79."
VOICE OVER
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b